A courtyard, a shoreline, a little colour, a table full of hands. Follow the hand from the world to the page.
“I drew everything, but I loved nature and flowers. I still do.”
From Aroub’s recollection · translated from Arabic
The line keeps wandering.
Faces, flowers and familiar places. More original work from Aroub’s sketchbooks.
Faces, connected in ink.
A woman and her dogs.
A bouquet in watercolour.
The lakeside, on paper.
A page full of flowers.
Poppies, in progress.
A courtyard. A world on paper.
An ivy-covered courtyard. A pencil line. Water and colour. Follow one afternoon from the world to the sketchbook.
The placeThe courtyard that caught her eye.
The first linesFinding the shapes with pencil.
A little colourThe first washes of green and pink.
The finished pageThe place becomes a page to keep.
The artistAroub, at the table where the drawing began.
The lake. The line.
The horizon stays in view as the page takes shape. A pencil drawing, a little colour, and the same shoreline seen twice.
The drawingBeginning with the shoreline.
The watercolourColour finds its place.
Back in the landscapeThe sketchbook meets the view.
A little garden. On a page.
Pink, yellow and green move from a cluster of flowers into the sketchbook. Small washes gather into a whole.
The flowersThe colours outside.
The washesLoose washes on the page.
The finished studyA garden of small marks.
More pages from the sketchbook.
Stay for a few strokes.
Short glimpses of drawing and painting, filmed as they happened.
Drawing beside the lake.Adding colour to the poppies.
Original footage · silent web edition
A place at the table.
Pencils within reach. Paper waiting. Different hands finding their own lines, then sharing what they made.
A table ready for drawing.
Scenes from drawing sessions. The work shown includes participants’ drawings.
Many hands. Many small worlds.
A map becomes a collage. A cardboard tube becomes a character. Colour, paper and thread give everyone a different place to begin.
Photographs and clips from shared art-making sessions. The work shown includes participants’ creations. Open a chapter to explore the photographs.
Maps, made personalPaint, cut-outs and familiar details build new stories over printed streets.
Colour spreads across a printed map.
Birds, flowers and a painted brush.
Brushes, cut-outs and a work in progress.
Characters from cardboardPaper, yarn and small details turn simple tubes into characters.
Two characters, two personalities.
A crown and a circle of colour.
A thread to followHands turn yarn into shapes to hold, wear and share.
Working with grey yarn.
From the table to the windowCut paper and drawn lines become a small display of shared work.
Fish and colour in two paper collages.
A long-eared character in a drawn frame.
Lines finding facesFollow two drawings from colour being added to the completed page.
Adding colour among the faces.
The completed page of faces.
Colouring the loops and small shapes.
The completed page of looping lines.
Ink, colour, a frameTwo works move from the table towards their finished form.
Green washes and fine ink marks at the table.
The green ink work in a frame.
Adding detail to the tree drawing.
The completed tree drawing.
Small worlds from boxesCardboard, cut paper and a few drawn details become characters and scenes.
Cardboard boxes, ready to be reused.
More from the tables.
Moments from the sessions.
Drawing into the map.Prints, from the table to the wall.Drawing and cutting together.
Original clips. Press play to watch; the first two include sound.
Original footage of Aroub painting.
The hand behind the work.
Original footage of Aroub painting.
A drawer. A key. A treasure.
As a child, Aroub kept her coloured pencils in a locked drawer, safely away from her younger siblings. Her mother’s gifts were colours and sketchbooks. She was the first person to keep looking, encouraging, and making room for the work.
The artist before the broadcast.
Before television, Aroub chose interior design. She completed a two-year diploma, worked with architects Mahmoud Qadadeh and Omar Hamdan, and went on to study fine arts and interior design at Yarmouk University. Even in television, her visual work continued in sets and on-screen graphics.
A quieter hand. Not a different eye.
As broadcasting took more of her time, drawing became secondary. In her own recollection, the artist inside entered a temporary sleep. It was a pause, not the beginning of an entirely different person.